writes Carolina Mantegari of the AsisCulturalspecial for JorgeAsisDigital.com
With her conviction, the judge Loretta Preska, Manhattan’s Servinienters the premature electoral campaign of the Inviable Province.
Without intending to, Loretta advances with her legal dagger on the jugular of Axel KicillofThe Gothic.
Axel is the guarantee of continuity. The superior exponent to preserve the substantial bastion of Peronism. From the pathological, dominant side. Kirchnerism, surpassed by doctorism.
Axel’s administrative transparency is registered as a main attribute.
It was the disruptive bet of The Doctor. Provoke with a decent in the province of sin.
But transparency is not enough to mitigate the malpractice argument. Summoned to disqualify for the catastrophic nationalization of YPF. When El Gótico was Minister of Economy.
To the bartola, Axel prefers to defend himself with an attack on the ghost of the right who wants to “re-privatize YPF.”
The Gothic cannot transfer the responsibility to La Doctora. She was furious, stimulated. With the hatred watered, among others, by Axel, when she supported.
“Those sons of p… you have to throw them out and not give them anything”.
Why Axel Kicillof continues to support Sergio Berni
The opportunity to vaccinate Peronism
In Peronism it is usually less insulting to be accused of corruption than malpractice.
The complaint for corruption is not denied to anyone. But being questioned for malpractice means calling for ineptitude. The mistake or the idiocy.
“There is nothing to hit Axel with”.
It was the rational evaluation of the rebounders of Together for Change. They almost gave up The Inviable Province.
But suddenly, thanks to Loretta’s indirect service, they perceive that “an opportunity is opening up for them.” To re-vaccinate Peronism. Like in 2015.
Axel’s invulnerability was pierced. They already have where to enter. “He made us lose thousands of sticks.”
The moral field is supplied by the forcefulness of ineffectiveness.
It only remains to add, with intense demagogy, the tragic anecdotes of daily insecurity.
“The province comes with an election of thirds. The Front (Axel), Together and Milei. If Juntos has three applicants, Milei wins. Single candidate or Milei spoils us ».
Loretta’s favor, plus the persistence of the murders, precipitates the resolutions in the Mutual PRO. He still has five gubernatorial candidates.
Axel’s open jugular facilitates the almost utopian gestation of the unique applicant.
(As proposed by Mauricio, The Chinese Vase, in the Autonomous Artifice of the Capital. To consolidate control of the Maxiquiosk).
Diego Santilli, El Bermellón, is “the only one who measures”. He finds himself favored by imaginative polling exercises.
Originally a Peronist, Santilli is part of Horacio Rodríguez Larreta’s presidential project, Geniol.
Three others are enrolled in the epic of Mrs. Patricia Bullrich, La Montonera del Bien, Mauricio’s favorite. She is the one who best represents his “ideas for change”.
Although some spiritually influential friend, very close, knew how to tell him:
“Are you going to leave all this that we built to Patricia? You’re crazy?”.
The mini-governor of Lanús, Néstor Grindetti, Paladar Negro II (and two daring of relative relevance who seek to position themselves).
From the Mutual PRO it only remains to mention Cristian Ritondo, El Potro. Original Peronist who centralizes his campaign from the tables of the Uganda Channel.
El Potro adheres, for the record, to the presidential candidacy of the wasted Mrs. María Eugenia Vidal, The Flower Girl of Girondo.
With touching freshness, The Flower Girl declares that, by the end of April, she will decide whether to continue with her campaign.
Elliptical and innocent way of anticipating the descent.
“Nobody is going to support who confesses that they can get off.”
For their part, the centennial radicals, associated in Juntos, maintain the commitment of Maximiliano Abad.
But the radicals are carriers of the extraordinary passion to be second.
Axel’s open jugular reproduces the opening of the way for the Santilli-Abad joint formula. No internal competition for PASO.
Neither will the Maxiquiosco if Horacio and Mauricio agree to present, exclusively, Jorge Boga Macri, Paladar Negro I.
The black palate El Boga is as real as Grindetti, the Black Palate II, but from “the family”.
(It remains that Edgardo Cenzón, El Silenciero, agrees with Angelici, Bostero Lúdico, and with Jacovitti, Caudillo Universitario. The way to design the internship between El Boga and Martín Lousteau, Wilde’s character).
Reproducing the resignation of the applicants without votes is the task reserved for Santilli’s plasticity. Or at Geniol’s strict order.
It is difficult to download the posters with the faces of potential governors.
Meanwhile, the whitewashers of the stagnant Civic Coalition could barely wet the croissants of the councils.
With the moral missiles of Mrs. Elisa Carrió, Myriam de Urquijo. Lady who hegemonizes the fundamental input of transparency.
The selective plate of the clean or the corrupt. Saint or drug
Without leadership or strategy, with locker room tensions and without an idea dropping. Peronism is the “lady orchestra”.
Alberto, The Unpopular Poet, president of the former government of La Doctora and president of the Justicialista Party, insists on his re-election, modestly supported by Lula, Highlander, and by Biden, El Abuelo Dulce.
With slow perversity, and with institutional irons, Alberto crushes the disoriented of La (Placement Agency) Cámpora.
They are led by the president of the Justicialismo of La Provincia Inviable. Máximo, The Influencer, in shorts.
Despite the impulse of Lula and Biden, Alberto believes that he has, on the bench of substitutes, Daniel Scioli, Leader of the Air and Sun Line.
But the shredded guys from the Agency train Eduardo De Pedro, El Wado. Young specimen that is missing at least three boils.
Peronist misrule evokes the play “Orquesta de señoritas” by Jean Anouilh (impeccable interpretation by Alberto Fernández de Rosa).
Hysterically sensitive tensions of music that provide the concert, but all fought with each other.
Although it is advisable not to monitor Peronism electorally. again, before killing him.
“Boys, they got excited again…”, La Mosca sings to them, to the jumps.
ending with whirlwinds
It is the empire of anger, attached to frustration. It is the dark future for the misfortunes of the present.
Identities such as leaderships exploded. The captive vote was reduced. “Long live freedom, c…!”.
Elections barely legitimized by the calendar. Rebellion of emotion and channeling of anger.
Javier Milei, El C-Boy, is the one who best embodies the social climate.
In Argentina there is more desire to bitch than to think.
In another culture, the whirlwind would lead to a left-wing destiny. But Belliboni and Grabois are insufficient. The Financed Revolution (by the State) does not catch on.
Here the whirlwind leads to the rejuvenated geezer of “the right.”
Among the hard of the change stands out, once again, Milei. He has a field advantage.
With formal differences from its fundamental follower. Mauricio. The one that wrinkled
Patricia persists to compete with Milei. They do not converge.
The statesmen’s sketches are lost in the forest of fragmentation.
Given the sociological magnitude of the panorama, any other proposal is impregnated with lukewarmness.
Temperance is less popular. Like good sense. Or rationality.
The romantic utopia of consensus is systematically devalued.
Adrift Country Extravaganzas.
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